Recently, 'Wildfire Lucent' launched its first playtest. Beyond the typical discussions regarding its polish and potential, its specific setting—a fictionalized Shanghai during the modern era—sparked intense debate within the gaming community.
The developers seem determined to sell Japanese-styled characters, but to circumvent the sensitive historical baggage regarding Japan, they employed a 'separation tactic': creating a fictional dichotomy between the 'Idu State' (Old Japan) and the 'Dongzhou Empire' (New Japan) to justify the presence of such characters.
What shocked players most was a provocative scene where the Dongzhou forces infiltrate a local martial arts school, delivering a plaque that mocks the locals as the 'sick men' of the region—an allusion to the humiliating historical phrase 'sick man of Asia.' Users are calling this a 'walk through a minefield,' questioning the developers' judgment.
Netizens have mocked the decision, asking if modern subcultural games are incapable of functioning without Japanese tropes. Many feel that this attempt to mash up historical trauma with fantasy is not only highly sensitive but fundamentally 'hanjian'—a term here meaning absurd or 'rare' in the sense of being bizarrely tone-deaf and disconnected from mainstream values.
评论 (0)
暂无评论，来说两句吧！ 🍉